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You still can’t convince me “ The Bones” is a country song, though. Maren Morris won Best Female Artist and Song of the Year, casually asserting that progressive politics and mainstream country success are no longer mutually exclusive. Which is to say, Underwood knows her audience, and she delivers. When I saw Underwood perform at Madison Square Garden in 2019 (flex of the century), I was surprised by the energy in the room during her more overtly religious songs. Here’s The Good, The Bad, and The Awful of the 2021 ACMs.Ĭarrie Underwood and CeCe Winans’s medley of songs from My Savior was the obvious highlight of the night, with both legends showcasing unbelievable vocal power and control. That means lots of male winners, a few standout performances, and several songs that would be convincing parodies if performed under different circumstances. This was country music’s fourth pandemic-time awards ceremony, and despite some Covid-related logistical hurdles-the show contained a mix of live and pre-taped performances filmed across six stages in Nashville-it was mostly Music Row as usual. “I did too.”) Even Mickey Guyton’s history-making hosting gig felt somewhat rote, both because she so effortlessly fit the bill and because the show was so performance-heavy that Guyton and co-host Keith Urban made minimal appearances. (“It’s totally normal to have questions ,” earnestly offered Ashley McBryde. CBS aired a few vaccine PSAs during the ceremony-a potential sore spot given how much of country music’s audience is “ vaccine-hesitant”-but the ads were obviously made with this audience in mind and struck a conciliatory tone. This year’s ACMs made no such promises, but mostly served an apolitical fantasy nonetheless. In November, the CMAs courted minor controversy when they tweeted that their show would be a “no drama zone,” which some country singers took as a veiled warning against expressing their political beliefs.